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Bio
1954 Born in Wichita, Kansas
Lives and works in Norman, Oklahoma
Education
1979 MFA Painting: Tyler School of Art, Temple University,
Philadelphia, Pennsylvania
1977 Graduate studies in painting: Royal Collage of
Art, London, England
1976 Bachelor of Fine Arts, Painting, University of
Kansas, Lawrence, Kansas
Academic Employment
2004-2007 Professor, University of Oklahoma Norman, Oklahoma
1989-2003 Associate Professor, University of Oklahoma
Norman, Oklahoma
2002 Visiting Professor, Rhode Island School of Design,
, Providence, Rhode Island
2002-2003 Visiting Professor, University of Cape Town
Michealis School of Art, Cape Town,
South Africa School of Art, Summer Term, Cape Town, South
Africa
1998-1999 Visiting Senior Professor, Yale University, New
Haven, Connecticut
1988-1989 Visiting Associate Professor, University of Oklahoma,
Norman, Oklahoma
Selected
Group Exhibitions
2008
Moving with The Storm, See Line Gallery, Santa Monica,
California
2007
Most Serene Republics, Venice Biennale Smithsonian
Institution, National Museum of the American Indian
Venice, Italy
Trees Words Chiapas, Grunt Gallery, Vancouver, Canada
Overlays, Museum of Anthropology University of British
Columbia Vancouver, Canada
2006
Remembering in America, Urban Shaman Gallery, Winnipeg,
Manitoba, Canada,
2005
Ocmulgee, Atlanta College of Art Gallery,Atlanta,
Georgia
2003
Diary of Trees, National Museum of the American Indian,
Smithsonian Institution, New York, NY
2002
Public Art From Oklahoma, Greatmore Art
Studios Gallery, Cape Town, South Africa
A Survey of Prints, Lithographs and Serigraphs The
Association for Visual Arts Museum
Cape Town, South Africa
Paint the Flame, Woodland Pattern Book Art Center,
Milwaukee, Wisconsin
2001
Edgar Heap of Birds, GOCAIA Gallery, Tucson, Arizona
2000
Drawings, Paintings and Prints, Art Resource Transfer
Gallery, New York, New York
1999
Hachivi Edgar Heap of Birds, LeWallen Contemporary
Gallery,Santa Fe, New Mexico,
Prints and Signs, Spotted Horse Gallery, Aspen, Colorado
1998
Hachivi Edgar Heap of Birds, Kieale Visual Arts Center,
St. Cloud State University,
St. Cloud, Minnesota
1997
Fish and Trees, Paul Mesaros Gallery, University
of West Virginia, Morgantown, West Virginia
Reading/ Art For The People, California State University,
San Marcos, California
1995
Learn a War Cry, Woodland Pattern Book Art Center,
Milwaukee, Wisconsin,
1994
Tell Yourself, Art Gallery of New South Wales, Sydney,
Australia
Drawings, Paintings and Signs, The Art Gallery, Broward
College, Pembroke Pines, Florida
Paintings and Scarves, Golden West Gallery, Telluride,
Colorado
Hard Weed, Plug-In Gallery, Winnipeg, Manitoba, Canada
The New Gallery, Calgary, Alberta, Canada
1993
Public Art Works And Drawings, Art Awareness, Lexington,
New York
Animals Trees Weather People, The University of Arizona
Museum of Art, Tucson, Arizona
Is What Is, Matrix Program, University Art Museum,
University of California, Berkeley, California
The Wexner Center for the Arts, Ohio State University,
Columbus, Ohio
1992
Hachivi Edgar Heap of Birds, Sena Gallery, Santa
Fe, New Mexico
Words/ Spirits, C.N. Gorman Museum, University of
California, Davis, California
Drawings, Paintings And Scarves, The Fabric Workshop,
Philadelphia, Pennsylvania
1991
Dig, The Mix University of Colorado Art Galleries,
Boulder, Colorado
1990
Claim Your Color, A Retrospective
Exhibition of 100 Works, Exit Art, New York, New York
Walker Art Center, Minneapolis, Minnesota
San Jose Museum of Art, San Jose, California
Blood Beat, Mexic-Arte Museum, Austin, Texas
1988
Heh No Wah Maun Stun He Dun,
What Makes Man, Matt’s
Gallery, London, England
Galveston Art Center, Galveston, Texas
American Policy, Orchard Gallery, Derry, Northern
Ireland
1987
Heh No Wah Maun Stun He Dun, What Makes Man, Institute
of Contemporary Art, Boston, Massachusetts
American Indian Community House Gallery, New York,
New York
Sharp Rocks, Art Culture and Resource Center, Toronto,
Ontario, Canada
Selected Group Exhibitions
2007
Comfort Zone, Santa Fe Art Institute Santa Fe
Looking Back, Pressing Forward University Gallery University
of North Texas Denton, Texas
Critical Translations, Katherine E. Nash Gallery University
of Minnesota
2006
La Voce Politica, Individual Artists of Oklahoma
Gallery Oklahoma City, Oklahoma
New Media / New Materials, Contemporary
Art Center Cincinatti, Ohio
Miner’s Canary, The Center for Contemporary
Art Santa Fe, New Mexico
2005
Visual Power: 21st Century Native
American Artists / Intellectuals,
United States Department of State, Washington D.C.
A circulating exhibition at U.S. embassies world
wide
Thursdays, Galeri Soemardja, Bandung Institute of
Technology, Bandung, Indonesia
2004
Eagles Speak Olin Art Gallery, Kenyon College,
Gambier, Ohio Lew Allen Contemporary, Santa Fe, New
Mexico
Peekskill Public Art Project, New Native
Hosts Peekskill, New York
Reservations: Rethinking the
Native American, Florida
Holocaust Museum, St. Petersburg, Florida
Scared Stiff: Condom Wrapper
Design, Benefit exhibition for teen contraception
awareness,
Paper Veins Museum,
New York, New York
2003
Cross-Cultural Identities, South African Museum,
Cape Town, South Africa
Homeland, Whitney Museum of American Art, Exhibition
at The Art Gallery of the Graduate Center,
The City
University of New York, New York, New York,
Multiple Perspectives, Wellesley Art Gallery, Wellesley
College, Wellesley, Massachusetts
25th Anniversary Gala Exhibition, The Fabric
Workshop Studio and Museum, Philadelphia, Pennsylvania
Native Inspiration, LewAllen Contemporary, LLC, Santa
Fe, New Mexico
Holponiyochi, Wright State University Art Gallery,
Dayton, Ohio
2002
Eagles Speak Honoring the Unity
of Eagles from Southern Africa and North America, Collaborative Group Exhibition,
Curator and Exhibiting Artist, Rhode Island School
of Design Museum, Providence, Rhode Island
The Association for Visual Arts Museum, Cape Town,
South Africa
Unforgettable, Remembering September
11th, Chelsea
Studio Gallery, New York, New York
Beyond Beads and Feathers, Portland Art
Museum, Portland Oregon
Cross Generational, North Dakota Museum of Art, Grand
Forks, North Dakota
2001
Prints, Jan Cicero Gallery, Chicago, Illinois
In Remembrance, September 11th, Anton Gallery, Washington
D.C
Native American Faculty and
Student Show, Noble Museum
of Natural History,
University of Oklahoma Norman,
Oklahoma
2000
Ambiguo, Gallery 224, San Juan, Puerto Rico (catalogue)
16 Songs/Issues of Personal
Assessment and Indigenous Renewal,
Nationally Touring Exhibition, 1995-2000 (catalogue)
Buddy Holly Art Center, Lubbock, Texas
Honoring, C.N. Gorman Museum, University of California
at Davis, Davis, California
Who Stole The Tee Pee, National Museum of
the American Indian, New York, New York (catalogue)
Recent Indigenous Art, The Jacobson House, Norman,
Oklahoma
1999
Billboard, Art on the Road Massachusetts
Museum of Contemporary Art, North Adams, Massachusetts
(catalogue)
Absence/Presence, Catherine Nash Gallery,
University of Minnesota Minneapolis, Minnesota (catalogue)
The Next Word, Text Image Design
Meaning, Neuberger
Museum of Art,
Purchase College State University
of New York, Purchase, New York (catalogue)
1998
Contemporary Warriors, Wanuskewin Gallery Saskatoon,
Saskatchewan, Canada
One-Hundred Years of Sculpture, The Walker Art Center
Minneapolis, Minnesota
I.R. 80A, Neutral Ground Gallery Regina,
Saskatchewan, Canada
Public Art/Public Sculpture, University at Buffalo,
Art Gallery, Center for Arts Atrium, Buffalo, New
York
1997
Twenty-Five Years of Print Making;
Brandywine Workshop,
The Printed Image Galleries, Philadelphia, Pennsylvania
1997 Biennial Exhibition of
Public Art, Neuberger
Museum of Art, State University of New York, Purchase,
New York
Off Shore/ On Site, Casula Powerhouse Arts Centre,
2000 Olympic Arts Festival Sydney, Australia
Gifts of the Spirit, The Peabody Essex Museum,
Salem, Massachusetts (catalogue)
1996
The Real West, Denver Art Museum, Denver, Colorado
Public Enemy Care for Youth, Pacific Arts Festival,
Apia, Western Samoa
Native Streams, Nationally Touring Exhibition:
Native
Voices, Allegheny College, Allegheny, Pennsylvania
1995
Deterritorialization, Centro Cultural De
La Raza, San Diego, California
Native American Invitational
and Masters Exhibition,
The Increase Museum, Tulsa, Oklahoma
Face Forward: Self Portraiture
in Contemporary Art,
John Michael Kohler Arts Center, Sheboygan, Wisconsin
(catalogue)
Context: A Survey of Recent
Visual Poetry, Hermetic
Gallery, Milwaukee, Wisconsin
La Jeune Gravure Contemporatine
Et Ses Invites Des USA, Mairie Du Vi Arrondissement, Paris, France (catalogue)
1994
Localities of Desire, Contemporary
Art in an International World,
Museum of Contemporary Art, Sydney, Australia,
(catalogue)
Narratives, Painted Bride Art Center, Philadelphia,
Pennsylvania
CompuServe, First Nations Arts, Computer Gallery
International, Fredricksburg, Virginia,
Contemporary Art Books, American Indian Community
House Gallery,New York, New York
Land Spirit Power, The National Gallery of Canada,
Ottawa, Canada
The Contemporary Art Museum, Houston, Texas (catalogue)
Death, Reverence and The Struggle
For Equality In America,
Betty Rymer Gallery, School of the Art Institute
of Chicago, Chicago, Illinois,
Stand, Erie Art Museum, Erie, Pennsylvania
and The Gallery of Art, Edinboro University, Edinboro,
Pennsylvania,
1993
American Indian Art In The Twentieth
Century, Denver
Art Museum, Denver, Colorado,
Art Of Resistance, Amnesty International, National
Conference, North Texas State University, Denton,
Texas
Indigenous Investigations 2
person exhibition, Gallery
of Art, North Texas State University, Denton, Texas
Native Artists Of Oklahoma, Amnesty International,
Regional Conference, Tulsa, Oklahoma
1992
Spiritual Cargo, Charter Oak Cultural Center Gallery,
Hartford, Connecticut
Green Acres-New Colonialism
In The United States,
Washington University
Gallery of Art, St. Louis, Missouri (catalogue)
Bookmarks For White Walls, A Journal Of Language
And Art,
Northern Illinois University Art Gallery, Chicago,
Illinois
Visions, United States Senate Rotunda, Washington,
DC
The People…Themselves, Los Angeles Photography
Center, Los Angeles, California
China: June 4, 1989,
Don’t Believe Miss Liberty,
Internationally
Touring Exhibition, Curated by Asian American Art
Center, NY, NY
Completing The Circle: Artists’ Books
On The Environment, Minnesota Center for Book
Arts,
Minneapolis, Minnesota
20th Anniversary Exhibition, University
Galleries, Department of Art, University of Colorado,
Boulder, Colorado
1991
Border Issues Negotiations and
Identity, CRCA, University
of Texas at Arlington, Texas
Lost Illusions, Vancouver Art Gallery, Vancouver,
British Columbia
Witness To Dissent: Memory,
Yearning and Struggle,
Mixed media installation with Clarissa Sligh and
selected artists,
Washington Project for the Arts, Washington, D.C.
Words + Numbers, Museum of Contemporary
Art, Wright State University, Dayton, Ohio
Counter Media, Key Gallery, Richmond, Virginia
Makers Alliance, City Arts Center, Oklahoma City,
Oklahoma
In Public, Seattle 1991, Security Pacific Gallery,
Seattle, Washington
Bad Politics, Greg Kucera Gallery, Seattle, Washington
The Un-Making Of Nature, Whitney Museum
of American Art, Fairfield County, Stanford, Connecticut
Re-Imaging America Momenta Arts, Philadelphia, Pennsylvania,
1990
Endangered, Visual Art By Men
Of Color Intermedia Arts, Minneapolis, Minnesota
In The Public Eye, Beyond The
Statue In The Park,
Euphrat Gallery, DeAnza College, DeAnza, California
Art From The Seven Generations, American Indian Contemporary
Arts, San Francisco, California
1989
Rain Forest, Houston at Orchard Alternative
Space, New York, New York
10th Anniversary Exhibition, Randolph
Street Gallery, Chicago, Illinois
Literacy On The Table, Longwood Gallery, Bronx, New
York
Franklin Furnace, New York, New York
Hall Walls, Buffalo, New York
Self Evidence, Los Angeles Contemporary Exhibitions,
Los Angeles, California
Privileged Must Share, Nave Museum, Victoria, Texas
Mid America Biennial, Nelson-Atkins Museum of Art,
Kansas City, Missouri
The Debt, Exit Art, New York, New York,
Modes of Address, Whitney Museum of American Art,
New York, New York
Representation/ Re-Presentation, Randolph Street
Gallery, Chicago, Illinois
1988
Saga(s), Carlo Lamagna Gallery, New York, New York
The Whole World Is Still Watching, Randolph Street
Gallery Chicago, Illinois
Re-Visions, Walter Phillips Gallery, The
Banff Center, Banff, Alberta, Canada (catalogue)
1987
Eight Native American Artists, Fort Wayne
Museum of Art, Fort Wayne, Indiana (catalogue)
In Defense Of Sacred Lands, Harcus Gallery, Boston,
Massachusetts
Artists With A Public Voice, 911 Art Center, Seattle,Washington
Committed To Print, The Museum of Modern Art, New
York, New York 1987 (catalogue)
Documenta 8: In Memory Of Native
Americans, In Memory
Of Jews-Relocate Destroy, Kassal, Germany
White Columns Gallery, New York, New York
Race And Representations, Hunter College, New York,
New York
Material Poetry, Individual Artists of Oklahoma,
Oklahoma City, Oklahoma
American Policy, Cleveland State University, Cleveland,
Ohio
1986
Concrete Crisis, Exit Art Gallery, New York, New
York
Born From Sharp Rocks, New Museum of Contemporary
Art, New York, New York
Oppression-Expression, Contemporary Arts Center,
New Orleans, Louisiana
Arts And Leisure, The Kitchen, New York, New York,
1986
Self Portrait, Kenkeleba House Gallery, New York,
New York
We Always Turn Around On Purpose, Amelie A. Wallace
Gallery,
SUNY College at Old Westbury, Long Island, New York
(catalogue)
Liberty and Justice, Alternative Museum,
New York, New York
1985
Mass Spaces, Cleveland, Ohio,
Art Consortium, Cincinnati, Ohio
The New Museum, New York, New York
Spirits Rising Over A Faded
Past, Temple University,
Philadelphia, Pennsylvania
Recent Public Art, Commissions, and Special Projects
2007
"Most Serene Republics"
This public art collateral project for the 2007 Venice
Biennale consisted of 25 new sign/panel and billboard
works
which memorialized the 16 Native American deaths
in Bill Cody’s Wild West Euro Show Tours. 16
memorial panels
were deployed at the Viale Garibaldi
and another 8 panels were installed at Giardini Reali.
A 25 foot in door billboard
was installed at the customs
check point of the Marco Polo International Airport.
New artistic creations in blown glass
were completed
at Murano, Italy.
2006
"Remembering in America"
Billboard project
Urban Shaman Gallery, Winnipeg, Manitoba, Canada. One
text billboard
presented in downtown Winnipeg. Billboard
excerpted from United States of America Declaration
of Independence,
1776. Billboard presented with gallery
exhibition “Imperial Canada” Billboard
project in conjunction with “Nuit Blanche”,
Toronto, Canada. “Nuit Blanche” was a city
wide public art, film\video and performance festival.
Six different billboard
messages were deployed
“Mayan Tree of Life”
production of a series
of 20 mono type prints for exhibition at Grunt Gallery,
Vancouver B.C.,
Canada Fall 2007. These prints were
produced in the print studio of St. Cloud State University,
St. Cloud, Minnesota.
Also two lectures were offered
at the University
"Site visit: University of Minnesota
School of Art and Center for Genocide and Holocaust
Studies"
Minneapolis,
Minnesota. This visit was in preparation for the Winter
2007 Catherine Nash Gallery exhibition titled:
“Critical
Translations”. Also campus sites were selected
for the permanent mounting of the 400 foot text sign
panel
installation titled: “Building Minnesota".
"Wheel 2005", is the creation a
50 foot, outdoor porcelain and steel
signature sculptural work which will be sited at The
Denver Art Museum, Denver,
Colorado. The sculpture receives its inspiration from the
traditional Medicine
Wheel of the Big Horn Mountains, Wyoming. Wheel completed
during summer solstice
2005
"Do You Choose to Walk Trail of Tears"
Campus Public Art Installation (permanent) Georgia
College and State University, Milledgeville, Georgia
2004
"Production of International Collaborative Mural"
Mural
size 8 feet by 24 feet. Mural title: Louisiana
Purchase Reclaimed.
Mural created in conjunction
with Performing Ethnicity conference, investigating
the legacies
of the 1904 St. Louis World’s
Fair, City University of New York, New York, New
York
"Salt River Road" Completion
of a suite of six serigraph prints titled: “Salt
River Road “.
The
prints were inspired by the 2002 sabbatical studio
experience in Cape Town,
South Africa and executed
at the University of Wisconsin, Madison, Wisconsin.
Recent Grants and Awards
2007
Archival research investigating Native American deaths,
Cody Wild West Show tours, Paris, France
Native American Studies and College of Arts and Sciences
travel and creative activities grant. Grant was used
to research
experimental art works in cast and blown
glass prior to working at Murano, Italy. Glass studio
experimentation conducted
at Emporia State University,
Emporia, Kansas
2006
College of Arts and Sciences Faculty Enrichment Award
This award supported the presentation of research
in London, England
University of Oklahoma Research Council Grant,
“Public Art and the America’s”
Travel, research and creative production grant for
2007 exhibitions at the Belkin Gallery, Grunt Gallery
and Museum of
Anthropology, University of British
Columbia, Vancouver, Canada
Research conducted in Palenque, Mexico.
2004
College of Arts and Sciences Faculty Enrichment Award
University of Oklahoma. Award to present research
at Peekskill Public Arts Project, New Native Hosts,
Peekskill,New York,
College of Arts and Sciences, Vice President of Research
and Native American Studies Travel Award University
of Oklahoma.
Java and Lombok, Indonesian Research Project, Text
Art and Traditional Weaving,
College of Arts and Sciences, Faculty Summer Technology
Workshop, University of Oklahoma
Andy Warhol Foundation Award received in conjunction
with residency and exhibition program,
Atlanta College
of Art, Atlanta, Georgia
2001
National Endowment of the Arts, Washington D.C.,
Art Context, Artist in
Residence Program, Rhode Island School of Design
Museum, Providence,
Rhode Island,The University of Oklahoma Research
Council Award, Cross Cultural
Creative Values of the Shona, Khosian and Narragansett
Tribal Classic Arts and
the Contemporary Art of Today,
Presidential International Travel Fellowship, For
Research Travel to South Africa and Zimbabwe, University
of Oklahoma
Finalist, Fulbright Research Award Zimbabwe, Council
for International
Exchange of Scholars
2000
Denver Art Museum, Civic film grant awarded to begin
work
on the 30-60 minute documentary profiling the studio
art research and sculptural process of Wheel, Denver,
Colorado
A complete biography will be provided upon
request.
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